I was fascinated by his Dekalog. Would you consider your filmmaking method to be collaborative? ‘Why don’t you allow Ilayaraja to meditate at recording theatre just for a day?’ HC asks landlords, 11% of Indian sharks, rays and chimaeras face high risk of extinction, finds IUCN assessment, Microsoft, Starbucks team up for virtual coffee catch-ups for Teams users, Google to let users try makeup in Augmented Reality, Four arrested for listing PM Modi’s Varanasi office listed for ‘sale’ in OLX, Twitter to relaunch verification policy from January 20, How Instagram uses machine learning to personalise posts on your Home Feed, India’s COVID-19 cases cross 1 crore mark, UPSC prelims: govt. Visual Stories. But the problem is that we still have no money to advertise or to reach out to people. Filmmaker Sanal Kumar Sasidharan has alleged foul play in the death of his relative, Sandhya. Then in 2015, we made another crowdfunded feature, Eli Eli Lama Sabachthani. If you’re talking to a stranger, there’s a violence in that. Earlier, I used to react to every issue and engage with people on social media. Sanal Kumar shares his views on a wide range of topics, including his new film 'Sexy Durga', freedom of expression and burden of imposed celebrityhood.. sanal kumar sasidharan. One person starts, the other reacts, then another acts… it’s like a ladder. I don’t have a problem with their thought process when I write. But it’s the women who are propagating patriarchy. You can support quality journalism by turning off ad blocker or purchase a subscription for unlimited access to The Hindu. Manju Warrier plays the role of a 40-year-old woman Maya, revealed by the actor earlier in an interview. As a subscriber, you are not only a beneficiary of our work but also its enabler. Watch | To where is Bangladesh relocating Rohingya refugees? I’m trying to polish myself to make sure I don’t become like them. The director of Oraalppokkam and Ozhivudivasathe Kali takes time to interact with us at The Cinema Resource Centre (TCRC). He suspects mafia hand in the death of the 40-year-old at the Neyyattinkara Taluk hospital last week. It’s a very simple theory. Personal life. People looking for online information on Sanal Kumar Sasidharan will find this news story useful. It’s the nature of the society here, I think. You can’t call it violence, it’s pure sacrifice. On the one hand we worship, on the other hand we gang-rape. Sometimes, I’m compelled to explain what I intended, when the audience comes up with a reading that is totally against the idea. I have a complete idea of the film from the beginning, even though I have a lot of lacunae which I leave for them to fill in. She said it might drop down to 50 (laughs). It’s not just about gender. It’s not just that. Sanal Kumar Sasidharan, the 40-year-old Malayalam filmmaker is no Marxist, nor does he have any ‘jihadi’ connection. In that sense, water is a metaphor for life. We have been keeping you up-to-date with information on the developments in India and the world that have a bearing on our health and wellbeing, our lives and livelihoods, during these difficult times. Yes, survival is also equally important. The cinematography of the film is very striking, especially the long and fluid shots. You started a filmmaking collective in Kerala, “Kazhcha Chalachitra Vedi,” that is known for making films that are crowdfunded, improvised, and even copyleft. I am the filter. His father Sasidharan and his mother Sarojam gave birth to him in the village of Perumkadavila in Thiruvananthapuram district, Kerala. John Abraham has not aesthetically influenced me, but his way of working has. Devika Girish It’s like a drama. I was keenly watching these kinds of film society movements, the Odessa film movement. I have a tendency to shoot long shots. The Emraan Hashmi-led Harami, Sanal Kumar Sasidharan’s new film A’hr and Ananth Narayan Mahadevan’s Bittersweet are among the seven Indian titles that have been selected for … ND/NF Interview: Sanal Kumar Sasidharan By Devika Girish on March 21, 2017 As one of the founders of the Kerala-based independent film collective Kazhcha Chalachitra Vedi, Sanal Kumar Sasidharan has been a prominent figure in the recent resurgence of Malayali indie cinema, which has its roots in John Abraham’s “people’s cinema” movement of the 1980s. It’s like using a seashell from the seashore. By Anthony Kao. It’s a support for truth and fairness in journalism. But knowingly or unknowingly, I keep revisiting these themes in my movies. The police are trying to dominate the drivers, the drivers are trying to dominate the hitchhikers. Because this graphic violence that we see nowadays in film—cutting, stabbing, blood coming out, screaming—this kind of violence is very rare in our society. We also reiterate here the promise that our team of reporters, copy editors, fact-checkers, designers, and photographers will deliver quality journalism that stays away from vested interest and political propaganda. Yes. He disclosed that the makers are mulling an OTT release, especially because many big-budgeted movies are awaiting for theatres to open to book a date for their film. After Sexy Durga, Sanal Kumar Sasidharan is back with Chola, arguably his angriest, boldest, and most sophisticated work yet.In this interview with Cinema Express, the filmmaker talks about working with actors like Joju George and Manju Warrier, the genesis of Chola, and the societal issues that still bother him.. Excerpts from the interview: It talks about how patriarchy has seeped into the minds of women. Does the narrative structure of the film come together during the editing process, then? I never prepare my actors. That’s why I didn’t want to show actual violence. Maybe it’s because of my family structure. I wanted to bridge the gap between real life and fiction. Yeah, because people in this culture think Durga can only be a goddess. You can always see the closeness of these human beings, their faces, and their fear. The plan changes a lot and I’m very happy with that. He has become the face of independent cinema in Malayalam with five … Fresh off the screening of ‘Chola’ in the Orizzonti section of the Venice Film Festival, Sanal Kumar Sasidharan opens up about the movie, which originated in the Suryanelli rape case. “Sexy Durga” is quite a provocative title. That’s why the film looks organic. But they are not contributing with awareness. In Sexy Durga, Sasidharan unfurls a diabolical nightmare on the streets of Kerala, an Indian state celebrated as “God’s Own Country” for its abundant natural splendor. It has helped us keep apace with events and happenings. Gender is the main part, but at the same time, it’s about power. Sanal Kumar Sasidharan was born in Perumkadavila village, Thiruvananthapuram district, Kerala on 8 April 1977. How did you come up with the music for the film? What I say to them is don’t act, just react. Yes, it’s connected to S Durga. I gave him the temple music as a reference. I’m aware of it. interview spb; opinion timeline editorial columns feature interview varavishesham samy's corner letters ... tags: case diary, sanal kumar sasidharan, sanal sister death, tvpm medical college, neyyatinkara taluk hospital, vinod sen, kerala police. We changed the narrative style. The movie was too harsh for them. In doing so, I was careful to not lose the essence of the movie. Everybody contributes, but they don’t know what they’re contributing. Sanal Kumar: The world which we live in is considered to be a Man’s world.Everything is designed by him and a woman accordingly follows the system diligently. Men rule the roads, and if a woman is out in the night, it’s like predators and prey. I filter what they contribute, and if something is good, I use it. He graduated from both Zoology and Law but later chose filmmaking as it was his passion. sexy durga film review. Kayattam, directed by award winning filmmaker Sanal Kumar Sasidharan, uses a made-up language they call Ahr Samsar.All ten songs of the film are in this language. He graduated in Zoology from VTM NSS College Dhanuvachapuram,Trivandrum and law, then started his job as a lawyer. Do all the members of your crew have creative input in the making of the film or are you an auteur-like figure? I want to use the camera to create a mood. And people have an already set taste and mindset. I was thinking about violence—where it comes from and why it is so acceptable in our society. Movie Interviews I can see what is happening and what I need to put in the next scene. Excerpts: I became acquainted with Karthik after meeting him at a film festival. I also feel that there’s a lot hiding inside me. When I was studying, I followed this John Abraham style of filmmaking a lot. In a road movie, you expect something visually rich, like open landscapes. on In Sanal Kumar Sasidharan ’s An Off-Day Game (2015), a drunken day unmasks a society intoxicated with its own sense of power. I’m a little wary of following the three-act structure and I don’t succumb to it. Rituals, worships, sacrifice. In Kerala, and everywhere in India, nightlife is very dark and always dominated by men. Sanal Kumar Sasidharan gives us a really disturbing film, told through some great performances – Joju George especially, and Nimisha Sajayan too – and an eerie presentation. No, I had an idea of how I wanted to make this film. Printable version | Dec 19, 2020 3:08:43 AM | https://www.thehindu.com/entertainment/movies/sanal-kumar-sasidharan-interview/article30781967.ece, Anurag Kashyap and Anil Kapoor battle it out, George Clooney’s sci-fi quest and a new British period drama are among the highlights of the week, The platform’s first Hindi anthology, Jeremy Clarkson’s new travel adventure and two romantic comedies are the highlights of the week. I told him that we needed to make something like this, but purely modern. I concentrate on the making—the narrative structure, the way of telling the story—and not the story itself. People are almost tired of it. Sanam's deadly combination with this has everyone in splits - Latest BB video here! tells SC talks on for another chance to aspirants, Hathras victim was gang-raped, murdered: CBI, Himanshi Khurana, Thaman S, Armaan Malik top Twitter music charts for 2020, Dhanush joins cast of Russo brothers’ ‘The Gray Man’, In historic pick, Biden taps Deb Haaland as interior secretary, Lewandowski beats Messi and Ronaldo to FIFA Best Player Award, Shackles and ties: On transition period of U.K.'s exit from EU. Then I tried to make a film on my own and approached a lot of people, but no one was willing to produce it. Malayalam director Sanal Kumar Sasidharan on collaborating with Manju Warrier in ‘A’hr (Kayattam)’ Saraswathy Nagarajan Thiruvananthapuram, May 26, 2020 16:56 IST It’s kind of like… shaping them in acting. Karthik’s name crossed my mind and I messaged him. My work doesn’t define me. When people show it, what is the point they are making? The music of the film is very central to its mood. Your support for our journalism is invaluable. The documentary shots that bookend the film, depicting the Garudan Thookam festival in Kerala, feature graphic shots of men inserting spikes into their bodies and walking on burning coals. But as a road movie, set in the dead of the night, it becomes the perfect premise for a thriller. Posted on April 6, 2018 May 14, 2020; 6 minute read; by Wayne D'Mello With his third feature, Sexy Durga, Sasidharan reflects Indian independent cinema’s emerging feminist moment, urgent more than ever at a time when films like Alankrita Shrivastava’s Lipstick Under My Burkha are being denied release in the country for being too “lady-oriented.” Sasidharan’s stringent psycho-thriller joins recent releases like Pan Nalin’s Angry Indian Goddesses (2015) and Leena Yadav’s Parched (2015) in investigating the contradictions of Indian patriarchy that make women the subjects of both worship and vilification. It’s a script I wrote in 2010 and later developed with KV Manikandan. (Laughs) I remember saying that. It’s very difficult. When you think of a road movie, you think of a lot of openness, scenery, nature. And that acceptance of violence comes from very sacred places. - Nisha's husband emotional interview! Sexy Durga definitely feels very improvisatory and organic, but it’s also a tightly structured thriller. Even though you say it contrasts [with the metal music], there is some kind of similarity between them, with the loudness, the colour, everything. As we fight disinformation and misinformation, and keep apace with the happenings, we need to commit greater resources to news gathering operations. I become an observer. The foundation Niv Art Movies funds my movies. Do you think there is a growing appetite for indie cinema among Indian audiences? The movies I have directed so far have a common thread. Gender is also a power factor. 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